Maria Mendiola Wiki – Maria Mendiola Biography
María Mendiola The duo quickly achieved international success with their debut single “Yes Sir, I Can Boogie”, which reached number one in much of Europe and became the best-selling single of all time by a girl group, selling finally more than 18 million copies worldwide. A successful follow-up single (“Sorry, I’m a Lady”) and a European tour led to several album releases, numerous television appearances, and the duo’s selection to represent Luxembourg at the 1978 Eurovision Song Contest.
Despite having a large following in Spain, Germany and Japan, by 1981 the two-woman mix of disco, pop and Spanish folk was no longer in fashion, and by 1983 Mateos and Mendiola were working on solo projects. With little success as soloists, the two formed duets of their own: separate incarnations of the original Baccara appeared in the mid-decade, with Mendiola leading New Baccara and Mateos maintaining the original duo name. During the 1990s, New Baccara returned to Baccara and as a consequence both Mateos and Mendiola led different duos with the same name. Both directors subsequently had long but separate legacy careers based on nostalgia and their previous fame.
Baccara de Mendiola has gained further international recognition, releasing a string of Hi-NRG club hits such as “Fantasy Boy” and “Touch Me” in the late 1980s and the subsequent UK club hit “Wind Beneath My Wings. “. Mateos’ Baccara has released few new recordings, but has continued to be in demand for television and live appearances in countries such as Spain and Germany, where the original Baccara developed a loyal fan base, performing the duo’s catalog and modernized versions of traditional Spanish songs. .
Maria Mendiola Age
María Mendiola was 69 years old.
Maria Mendiola Cause of Death
Baccara María Mendiola, best known for the disco hymn “Yes Sir, I Can Boogie”, has passed away. Her management company, Tony Denton Promotions, confirmed the news of her death at age 69 but was unable to provide further information.
Reports in Spanish media say that Mendiola died yesterday in Madrid surrounded by her family. Cristina Sevilla, who replaced Mendiola at Baccara after she stepped aside due to arthritis in 2008, expressed her gratitude on social media in a message written in Spanish.
Yes sir, I Can Boogie has been associated with Scottish football fans in recent years. The hit song reached number three on a UK singles chart in mid-November 2020 when Scotland defeated Serbia in a Euro 2020 playoff, with footage of Considine and his teammates dancing and singing to the beat of the song that went viral.
The song, which has since been covered by Goldfrapp, The Fratellis, and Sophie Ellis-Bextor, was heard loudly and proudly by Scottish fans throughout the tournament in 2021.
In 1976, María Mendiola proposed to her colleague Mayte Mateos the formation of a separate song and dance duo (using the title Venus). After leaving the ballet company, the duo’s opening act was simply that of variety show dancers. Their first television appearance was on the light entertainment program Palmarés and they were hired at a nightclub in the Aragonese city of Zaragoza, but their contract was canceled when the club’s director decided they were “too elegant” for the style of the show. Mateos and Mendiola moved to the Canary Islands in search of work. There they found that there was an audience for the performance of traditional Spanish music and dance in a way that suited international tastes.
The duo was seen by Leon Deane, manager of the German subsidiary of the RCA record company, while they performed flamenco dances and traditional Spanish songs for mostly German tourists at the Hotel Tres Islas on the island of Fuerteventura. María, who was the only one who spoke English, served as a bridge between the promotion managers and the duo to reach an agreement. Deane invited them to Hamburg to do a voice test at the record company. He was the prime mover behind what became Baccara, developing his performance on stage while enlisting his instrumental support. Mateos and Mendiola were renamed Baccara, after the name of the black rose, in reference to the dark Spanish appearance of the woman.
Leon Deane is generally credited with Baccara’s formula, consisting of choppy lyrics, an exuberant backing, a disco beat, and the striking imagery of two women (Mateos dressed in black, Mendiola in white) dancing. While loosely based on the tradition of Spanish flamenco dancing and singing, the formula has its roots in 1970s disco music.